During
The Neolithic Expansion in Ancient Europe, a large population of
bears seeked refuge in the Boreal Regions of the North Pole. The
arrival of the Neanderthals hominids advanced through the cold
forests, running from the Mediterranean's first global warming of
this new era. The ancient Africa used to burn in natural flames,
related to the cyclical
process of
Burnings
that
would come to renew the soil. At that time, the animals and plants
used to
speak!
Gathered
in assembly and forecasting the imminent catastrophe to their
population,
the
wild bunch of Arktos bears had decided not to take refuge in cold
areas because it would be an even greater ambush. Armed with
his
great
claws
and a throaty vocalization, which in chorus could shake the ground
for several kilometers, the
gang
decided
to face
the
hominid
breakthrough
by using nocturnal onslaughts against the recently established small
villages in the Bavarian region.
These
villages of hominids Neanderthals had already acquired the technology
of proto-agriculture, selective irrigation and handling of
wooden-carved musical instruments. The War wasn’t very usual among
villages, despite the ethnic diversity registered by modern age
excavations.
The developed pottery from coal and the
extracted
clay
from The Pyrenees had turned the meat-based cuisine handcraft of
small animals into a need to supply the low amount of vegetables in
the frozen lands.
Guided
by the Great Bear (Ursa Major) constellation (a Goddess at the Minoan
age), the wild bunch of bears started
the invasion.
Through scary moans and groans, the creatures advanced, surrounding
the villages,
bringing
the huts down by shaking their fragile structures with low sound
frequencies, extinguishing the fires and causing distress
in
villagers
through
psychoacoustics.
After psychologically terrifying the villagers, the massacre came
along.
The
Arktos claws, which were sharpened on rocks,
had
ripped
and
slashed
men,
women and children, who later were served as a feast to the gang.
The
bears developed
the further
improvement
of
primary
musical
instruments, taking hold of the Neolithic culture of hominids, which
helped them to discover new acoustic phenomena for the attacks in the
middle Europe. Along with technological
development,
it was seen that it was possible to breed human slaves, creating
circuses to those who the bears used to extract the skin and hair of
the dead slaves to dress up like humans.
The
domestication of wild hominids that Arktos gang tamed and trained in
order to perform acrobatics and juggling, besides lethal acts, such
as forced-swallowing and fire-spitting to each other’s face, used
to leave the “circus” more charming. Some of those hominids were
able to escape and arrived as refugees to the lands nearby the
Central Europe’s lakes, founding the Nordic Germanic tribes.
Such
a crude instinct growth in the Artkos society brought forth
dissatisfaction with the Great Bear.
The
Great Bear who had been forgotten in the spiritual guidance rules of
this new rotten society due to their wanton cruelty, feeling
betrayed, changed its stellar configuration, by which it is known
until nowadays. The constellation shape shifting was useful to show
the way to Germanic Barbarians outbreak, which on the trail
managed
to steal
the
star
maps left by
the Arktos.
Throughout tireless detailed study and mastery of astrology, they
developed constellations readings and interpretations while watching
the Great Bear changes, which now signalized the sudden doom of
Arktos’ society.
Around
the year 666 B.C, the unavoidable and bloodthirsty battle between
Arktos bears and the new hominids aggressors began. In possession of
psychoactive
plants, the barbarians set up an scheme to grog the
Arktos
guard
with
an infusion
of mixed plants, bearing mass hallucinations and a never-seen trance.
Bewildered by the effects of uncontrolled and overpowered
natural
psychedelics,
the Bears
started
a
self-massacre
process.
The
Germanic barbarians didn’t have to draw their swords to defeat
their enemy, whom while looking at the Great Bear didn’t notice its
renewed configuration and meanwhile totally puzzled by drugs, loose
themselves to
deadly
despair.
In
charge of unfitness to their new reality, some
young
bears,
that had taken shelter far away from the villages, could
witness
the
barbaric
strategy
and as means of self-defense, lowered the infusions of the doses
creating
a
reconnection
with
the stars and
a
spiritual
reconfiguration
with
the Arktos primary
nature.
Being
afraid of a bloody
incursion
from
his contemporaries
and
the
barbarians, they
migrated in
small
groups
to
the lands
adjoining
the Mediterranean, more exactly what we currently know as Italy.
Hidden
in
groves
they
were,
now, an
easy
target
to
Chinese
gunpowder,
which
flourished
in
the
Iberian
world.
The
imminent
danger of
death
caused
discord
among runaway
Arktos,
weakening
the
resistance
and
leaving as the only way out
their domestication
and therefore training for entertainment at gypsy circuses.
It is just in this medieval era that European immigration to the West
Indies began. Despite their strength, the Bears
had
no resistance
on
the ships
departed to
the New World. The high spending on useless maintenance of the animal
(just one specimen managed to get alive at the time of the
Captaincies) and
the
risk of
rage
due
to depression
and
sickness
in
the holds
of
the vessels
was the main reason to
the Navy suspended transport. Later, other
bears
were
found
in north
of
the New World, where creature’s
mass
extinction
techniques
were
developed by the
new
settlers
as
a tactic
to
undermine
the
food
reserves
of
the indigenous
natives.
Photos: Moacyr Campelo
Traduzido por Guto Conde
By
using
mobile
amplifier
developed
with
artkos
technology, portable microphone, compact
pedal
Big
Muff
and
Fender
Squier Guitar, The Psychedelic
La
Ursa
captures
energy
and
sound
frequencies
from
solar flares
and
Ursa
Major. This
energy
caught
by
the mask-antenna
resonates
directly
into the blood
stream
of
the
performer,
leading
to
a state of
altered
consciousness. Quickly,
it starts
muscle and bone
metabolism, creating
involuntary
movements
that
result in
spontaneous
musical
structures, following the
indications
of
Stellar
Seismology
scores,
in the
electromagnetic
waves
of
celestial bodies,
translated
to
human
coding
in a
new
art form
and
interaction. Imbued
for this
primary
feeling
of nature
and
its
connection with
the
playful,
urban
space
and
love,
It is inevitable
the empathy
of
the Psychedelic
La Ursa (La
Ursa
Psicodélica)
with
the children universe!*
